Lithography Printmaking Workshop
Lithography Printmaking Workshop
Academic Year:
2015 - 2016 (June 1, 2015 through May 31, 2016)
Funding Requested:
$2,000.00
Project Dates:
-
Applicant(s):
Overview of the Project:
I am applying for this LPDF grant to attend a professional art workshop at the Tamarind Institute in Albuquerque, New Mexico, on the topic of lithographic printmaking.
I teach two printmaking classes at the Residential College every winter semester. I am interested in covering as wide a range of printmaking techniques as possible, while still maintaining the classroom as a non-toxic studio. I believe that, given current ecological and environmental concerns, it is important to shift towards processes that minimize use and exposure to hazardous substances.
Lithography is the most versatile of all print media since it can replicate a wide variety of mark-making including both tonal and line information. However, when done via the traditional lithographic stones, it requires a special lithographic press and it is a rather involved process due to the cost and weight of the stones. On the other hand, lithographic plates can be printed with a regular etching press (already in existence and in use at the classroom where I teach), the plates are portable and low-cost, and the process requires a minimum amount of solvents (very low toxicity).
The use of these plates would allow the students a unique opportunity to explore lithographic printing within the parameters of a non-toxic studio. I would like to attend this workshop to learn more about the process so that I may be able to incorporate it into the curriculum for future printmaking classes at the Residential College.
I teach two printmaking classes at the Residential College every winter semester. I am interested in covering as wide a range of printmaking techniques as possible, while still maintaining the classroom as a non-toxic studio. I believe that, given current ecological and environmental concerns, it is important to shift towards processes that minimize use and exposure to hazardous substances.
Lithography is the most versatile of all print media since it can replicate a wide variety of mark-making including both tonal and line information. However, when done via the traditional lithographic stones, it requires a special lithographic press and it is a rather involved process due to the cost and weight of the stones. On the other hand, lithographic plates can be printed with a regular etching press (already in existence and in use at the classroom where I teach), the plates are portable and low-cost, and the process requires a minimum amount of solvents (very low toxicity).
The use of these plates would allow the students a unique opportunity to explore lithographic printing within the parameters of a non-toxic studio. I would like to attend this workshop to learn more about the process so that I may be able to incorporate it into the curriculum for future printmaking classes at the Residential College.