The Esoteric Fine Art of Risography

The Esoteric Fine Art of Risography

Academic Year:
2022 - 2023 (June 1, 2022 through May 31, 2023)
Funding Requested:
$1,750.00
Project Dates:
-
Applicant(s):
Overview of the Project:
Risography (or Riso) is a printing technology invented in the early 1980s in Japan. This lesser-known process uses archival inks and papers similar to traditional fine art printmaking but provides and ease of use akin to mimeograph or early xerox technology. Pushed aside for advancing xerox technology in the 1980’s and 1990’s, risography has seen a resurgence in usage over the past decade among DIY and independent publishers.

I was recently accepted to the Frans Masereel Centrum Printmaking Residency in Kasterlee Belgium for the summer of 2023 where I will be working with a master printer exclusively on risography. Through this residency I will acquire a deep knowledge of this technology and bring it back to the University of Michigan. This competitive residency is partially funded by the Belgian government but also requires a fee of 1750 Euros (approx.. $1750 USD) for the five-week period of my residency (Jul. 3 – Aug. 4, 2023). I am applying to the Center for Research on Teaching and Learning Lecturers’ Professional Development Fund to cover this fee.

I have been a lecturer at Stamps School of Art and Design since 2016. This innovative art school recently invested in Risograph technology. While used occasionally for specific projects, there is no class dedicated to Riso. Through this residency, my goal is to acquire a depth of understanding of this exciting and historically overlooked technology that enables me to design a class around the process and aid other instructors in teaching it as well.
Final Report Fields
Project Objectives:

Through this project I aimed to acquire a depth of understanding of Risography, an exciting and historically overlooked print technology.  My goal was also to connect with other artists who use this esoteric technology.

Project Achievements:

I obtained the skills to produce a complex 2-sided suite of seven Risograph prints.  During my brief (5 week) residency period I learned the technical nuances of what this process can and cannot provide to artists.  The Stamps School of Art and Design recently acquired multiple Risograph machines so I can lead classes that utilize this technology and guide other instructors on how to best utilize this resource for teaching.

Continuation:
I will continue to use this technology in my studio practice and share my knowledge with others through integrating it into my foundation courses.
Dissemination:
I have already shown this work in my solo exhibition in Birmingham, MI at 199 Design and Objects. I plan to continue exhibiting the work and making new work that utilizes this technology.
Advice to your Colleagues:
Risography is often equated with silkscreen printing. Though there are parallels, Riso printing has a number of limitations including scale, resolution, and color choices that impact a project. There are also ways in which Riso printing excels, including printing large quantities much faster than silkscreen printing, and providing a lower technical barrier of entry. There are other technical nuances like ink saturation that need to be accounted for in Riso printing. I was able to overcome many of these challenges through trial and error and through the advice of a more experienced Riso printer.